“12 Days of Christmas: The Concert – Redux”

It’s time to Break It Down!

(Reprinted from Break It Down – 12/21/11)

Merry Christmas to you! I know some of you are caught up in the whole “We Are The (Secular) World” trip; thus the substitute Holiday for Christmas in seasonal greetings. Of course those innately curious enough to conduct the requisite etymological research know that the root derivation of holiday is “Holy Day;” but I digress; that is fodder for another day’s fight.

By now many of you have already begun your well-planned and no doubt, richly deserved hiatus from work. You may even have finished your shopping and taken care of all the major errands that accompany preparing for the Big Day. Perhaps all that remains is packing and/or traveling; maybe that throw-down cooking marathon that precedes the arrival of the family, friends, and guests whom you will host over the coming week.

As is my custom, I will not use this Christmas Season Post, if you will allow me to call it that, to challenge you to sort the facts, be they esoteric or mundane. No, this is your time to take advantage of the opportunity to hang out with your guests, or to be a guest, and enjoy the hospitality of friends and famiy.

In the true spirit of keeping it simple for both you and me, I am, as the Title suggests, reprising a previous post.  In fact,  not just any previous post; not even just any prior Christmas Post.  I am, for all intents and purposes re-posting the entry from last Christmas.

The English playwright and poet, William Congreve, in the opening line of his 1697 Play entitled The Mourning Bride,” asserted, “Musick has Charms to soothe a savage Breast, To soften rocks, or bend a knotted Oak.”  I think Congreve was on to something.  If indeed music is capable of enabling us to overcome our basest instincts, and in so doing, ennoble us to pursue our finer impulses, then indeed, we should take more opprotunities to render ourselves captivated by it’s magical spell. (By the way, it really is breast…not beast; caught you thinking, didn’t I?)  😉

So, last year, I identified and pulled together an assortment of my favorite Christmas Standards.  This year, I am offering the same artistic olio for your reading, viewing, and listening pleasiure. Below, you will find bios for the 14 artists, the 13 youtube video interpretations, and the 12 songs listed and included in the form of a Yuletide e-concert. The information and links below tell the essence of the story; but there are a few points I wish to amplify for your consideration.

The number in parenthesis after each artist’s name is his or her current age, or the age at which the artist died, in the cases of James Brown, Eartha Kitt, John Coltrane, Nat King Cole, and Donny Hathaway. Each artist, song and interpretation is special in its own right.

The legendary Godfather of Soul, as James Brown became known, died on Christmas Day (2006, aged 73), as did Eartha Kitt (2008, aged 81), whom shall ever remain, to many of us, the incomparably personified Catwoman. There was both a surreal sadness and a resolute completeness associated with them ending their respective earthly journeys on Christmas Day, two years apart. Both artists were born in South Carolina; Brown in Barnwell, and Kitt, in North. Brown was renowned for his energetic performances, which earned him another of his many titles, “Hardest working man in show business.” His rendition of “Merry Christmas Baby” was a reminder that he had earned his chops the hard way, and that he was much more than flash and dash. Kitt’sSanta Baby” is on my list, not only because it is a classic; it is, but also because like me, it was born in 1953. I’d like to think we both (the song and I) have held up well.

Donny Hathaway’sThis Christmas” quite simply personifies Christmas for many of us. Hathaway, an initiate of Howard University’s Beta Chapter of Alpha Phi Alpha Fraternity, was a brilliant musician, but a troubled man. He endured bouts of depression and suffered from paranoid schizophrenia, which ultimately led him to commit suicide (1979, aged 33). “This Christmas,” however, lives on, and along with it and many of his other classics, so does his melodious voice.

Chris Brown (age 22), has had his moments. He is known in most circles as either the Pied Piper to Generation Y (Millennials), or That Guy…you know, the one who beat down Robyn Fenty (age 23); Rihanna to you! This post will not attempt to moralize, or capitalize in any other way on the beef between these two. Rather, for the purposes of this commentary, I wanted to touch upon Chris’ cover of Hathaway’s classic tune. I think he did a fine job, and is an example that, many voices to the contrary, Gen X’ers are not only capable, but do in fact, continue to perpetuate the tradition of making great music.

Nat King Cole (1965, aged 45) and Natalie Cole (age 61), father and daughter, both stellar musicians, in their own right, also represent two successive generations of the “family business.” Though the elder Cole is probably better known for his interpretation of The Christmas Song,” I intentionally chose his rendition of another standard, “O Holy Night,” to highlight another of his great performances. I included Natalie’s rendering of “The First Noel,” solely because of my partiality to the reverse spelling of “Noel!”

Having eschewed Cole’s version of “The Christmas Song,” I could not omit it altogether. Kem (age 42), delivers a virtuoso performance of this classic tune. He is one of my favorite contemporary artists, singing one of the Christmas songs I enjoy most. Ledisi (age 41, until her New Years’ Eve birthday) and Lauryn Hill (age 36) are two of contemporary R&B’s most accomplished female voices. Their versions of “Give Love On Christmas Day,” and “Little Drummer Boy,” respectively, are special treats, and integral components of this e-concert.

John Coltrane and Dianne Reeves (age 55) add an instrumental (“My Favorite Things”) and vocal (“Christmas Time Is Here”) jazz flavor to the mix, respectively. “Trane,” born in Hamlet, North Carolina, died of liver cancer (1967, aged 40), another life cut short, far too young. He and the combo render a cool version of the tune, so much so that it could make it one of “your favorite things.” Ms. Reeves uses her powerful and well-trained instrument to craft a compelling version of “Christmas Time Is Here.”

Christina Aguilera (age 31) and Brian McKnight (age 42) unite in a superb collaboration on “Have Yourself A Merry Little Christmas.” They revel in demonstrating multiple octave range and elasticity in framing their unique arrangement of this classic that makes it a song I enjoy listening to again and again. Last, but certainly not least, Will Downing (age 48), perhaps my favorite musical artist, delivers a silky smooth rendition of “White Christmas.”  What can I say?  Will…is Will!

That’s it; 14 artists, 13 videos (a Baker’s Dozen), and 12 songs. Add it all up and you get “12 Days Of Christmas: The Concert – Redux!” Enjoy it agaian, and by all means, remember the Reason for the Season!

I’m done; holla back!

Read my blog anytime by clicking the link: http://thesphinxofcharlotte.blogspot.com/. A new post is published each Wednesday. For more detailed information on a variety of aspects relating to this post, consult the links below:

James Brown (73) – Merry Christmas Baby



Eartha Kitt (81) – Santa Baby



Donny Hathaway (33) – This Christmas



Chris Brown (21) – This Christmas




Nat King Cole (45) – O Holy Night



Natalie Cole (60) – The First Noel



Kem (41) – The Christmas Song



Ledisi (32) – Give Love On Christmas Day



Lauryn Hill (35) – Little Drummer Boy



John Coltrane (40) – My Favorite Things



Dianne Reeves (54) – Christmas Time Is Here



Christina Aguilera (30) & Brian McKnight (41) – Have Yourself A Merry Little Christmas




Will Downing (47) – White Christmas


4 thoughts on ““12 Days of Christmas: The Concert – Redux”

  1. Pingback: “12 Days of Christmas: The Concert – Redux” | BREAK IT DOWN!

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